View Past PerformanceSpotify Technology バランスシートの健全性財務の健全性 基準チェック /66Spotify Technologyの総株主資本は€8.0B 、総負債は€0.0で、負債比率は0%となります。総資産と総負債はそれぞれ€13.1Bと€5.1Bです。 Spotify Technologyの EBIT は€2.4Bで、利息カバレッジ比率-10.7です。現金および短期投資は€6.3Bです。主要情報0%負債資本比率€0負債インタレスト・カバレッジ・レシオ-10.7x現金€6.29bエクイティ€8.01b負債合計€5.12b総資産€13.13b財務の健全性に関する最新情報更新なしすべての更新を表示Recent updatesお知らせ • Jun 25Spotify Technology S.A. to Report Q2, 2026 Results on Aug 04, 2026Spotify Technology S.A. announced that they will report Q2, 2026 results Pre-Market on Aug 04, 2026お知らせ • Jun 03Spotify Ltd Announces Appointment of Aditi Shorewal to Head of PR & CommunicationsSpotify Ltd. appointed Aditi Shorewal as its new head of PR & communications. Shorewal joined Spotify after a successful stint at Tinder, where she served as communications lead for India and later India and Korea. During her tenure, she led strategic communications, brand storytelling, and reputation-building initiatives across key markets, helping shape the brand's voice among digitally connected audiences. Her appointment brought more than a decade of experience spanning public relations, content marketing, social media strategy, media relations, and corporate communications. Over the years, she built an impressive portfolio across global technology, media, and consumer-facing brands. Before Tinder, Shorewal served as head of communications and content marketing at Eventbrite and previously held the role of lead, communications and social media marketing at Twitter. Her career also included leadership positions at 4media group UK, where she managed global media relations, as well as earlier roles with NDTV, Times Internet Limited, and The Times of India. Shorewal holds a master's degree in digital asset and media management from King's College London, where she received the India Masters Scholarship, and earned her bachelor's degree from Lady Shri Ram College For Women.お知らせ • Mar 26Spotify Technology S.A. to Report Q1, 2026 Results on Apr 28, 2026Spotify Technology S.A. announced that they will report Q1, 2026 results Pre-Market on Apr 28, 2026お知らせ • Mar 07Spotify Technology S.A., Annual General Meeting, Apr 15, 2026Spotify Technology S.A., Annual General Meeting, Apr 15, 2026, at 16:00 W. Europe Standard Time. Location: arendt house, 41a, avenue j.f. kennedy, l-2082 luxembourg, grand duchy of luxembourg., Luxembourgお知らせ • Feb 11Spotify Technology S.A. Provides Earnings Guidance for the First Quarter of 2026Spotify Technology S.A. provided earnings guidance for the first quarter of 2026. For the quarter, the company expects total revenue of €4.5 billion,Assumes ~670 bps headwind to growth Y/Y (vs. ~580 bps in Q4) due to foreign exchange rate movements; based on currency rates as of Fourth Quarter close (e.g. USD: Euro of 0.8514 as of December 31st, 2025) and operating income of €660 million,Incorporates €10 million in Social Charges based on a Fourth Quarter close share price of $580.71.お知らせ • Dec 26Spotify Technology S.A. to Report Q4, 2025 Results on Feb 10, 2026Spotify Technology S.A. announced that they will report Q4, 2025 results Pre-Market on Feb 10, 2026お知らせ • Dec 11Spotify Technology S.A. Announces Election of Alex Norström and Gustav Söderström as Directors, Effective January 1, 2026Spotify Technology S.A. held an extraordinary general meeting of shareholders and holders of beneficiary certificates on December 10, 2025. The Company's shareholders and holders of beneficiary certificates considered the proposal for the election of directors. Based on the votes set forth in the proxy statement dated November 5, 2025, Alex Norström (B Director) and Gustav Söderström (B Director) were elected as members of the Board of Directors, effective January 1, 2026, for a term ending at the general meeting approving the annual accounts for the financial year ending on December 31, 2025.お知らせ • Nov 20Spotify Appoints Tanmaya Trivedi as Director of SalesSpotify has appointed Tanmaya Trivedi as director of sales. He joins after spending more than ten years at Meta across category leadership roles spanning gaming, education, tech, auto, BFSI, travel, health, real estate and new business. Before Meta, Trivedi worked with Sony Pictures Networks India as assistant vice president, leading revenue and channel initiatives across SET, Sony MIX and the relaunch of SAB TV. His earlier experience includes roles at UTV during the launch of Hungama TV and sales responsibilities at Zee across news and entertainment channels. Trivedi has more than two decades of industry experience and has led teams across sales strategy, category development, cross functional planning and revenue operations.お知らせ • Nov 05+ 1 more updateRBX, A Founding Father of West Coast Hip-Hop, Files A Class Action Lawsuit Against Spotify Concerning Alleged Streaming FraudBaron & Budd, P.C. alongside Irpino Avin & Hawkins, filed a class action lawsuit in federal court in Los Angeles on behalf of musician and hip-hop producer Eric Dwayne Collins, professionally known as RBX, against Spotify. The lawsuit asserts that, for years, the company failed to properly address streaming fraud on its platform. According to the lawsuit, "streaming fraud is carried out by deploying 'Bots,' which are automated software programs that run scripts to perform repetitive tasks on the internet at high speeds. In the context of streaming fraud, large numbers of Bots are programmed to repeatedly and continuously stream certain songs, thereby fraudulently inflating the total number of streams for that music." Among other things, the suit asserts that "billions of fraudulent streams have been generated with respect to songs of 'the most streamed artist of all time,' Aubrey Drake Graham, professionally known as Drake ("Drake")." The lawsuit explains that musicians, songwriters and others are paid. The lawsuit alleges that although streaming fraud is prohibited by Spotify and the company claims that it has policies and procedures in place to address streaming fraud, "Spotify has an incentive for turning a blind eye to the blatant streaming fraud occurring on its service." According to the lawsuit, "the more users (including fake users) Spotify has, the more advertisements it can sell, the more profits the company can report, all of which serves to increase the purported value delivered to shareholders." The lawsuit further alleges, "Spotify offers a free, ad-supported version of its streaming service, which does not require the use of a valid credit card to sign up. This creates the ideal conditions for fraudulent Bot Accounts to create fake Spotify accounts." In the lawsuit, Plaintiff Eric Dwayne Collins, who performs under the name RBX, seeks to represent a class of other artists in California and the United States who earn money from royalties on Spotify. "Not everyone who makes a living in the music business is a household name like Taylor Swift -- there are thousands of songwriters, performers, and producers who earn revenue from music streaming who you've never heard of. These people are the backbone of the music business and this case is about them," Mr. Pifko added. The complaint seeks monetary damages, injunctive relief and restitution from Spotify.財務状況分析短期負債: SPOT06の 短期資産 ( €9.7B ) が 短期負債 ( €4.7B ) を超えています。長期負債: SPOT06の短期資産 ( €9.7B ) が 長期負債 ( €430.0M ) を上回っています。デット・ツー・エクイティの歴史と分析負債レベル: SPOT06は負債がありません。負債の削減: SPOT06負債比率が37.9%であった 5 年前と比べて負債がありません。債務返済能力: SPOT06には負債がないため、営業キャッシュフロー でカバーする必要はありません。インタレストカバレッジ: SPOT06には負債がないため、利息支払い の負担は問題になりません。貸借対照表健全な企業の発掘7D1Y7D1Y7D1YMedia 業界の健全な企業。View Dividend企業分析と財務データの現状データ最終更新日（UTC時間）企業分析2026/06/28 05:37終値2026/06/26 00:00収益2026/03/31年間収益2025/12/31データソース企業分析に使用したデータはS&P Global Market Intelligence LLC のものです。本レポートを作成するための分析モデルでは、以下のデータを使用しています。データは正規化されているため、ソースが利用可能になるまでに時間がかかる場合があります。パッケージデータタイムフレーム米国ソース例会社財務10年損益計算書キャッシュ・フロー計算書貸借対照表SECフォーム10-KSECフォーム10-Qアナリストのコンセンサス予想+プラス3年予想財務アナリストの目標株価アナリストリサーチレポートBlue Matrix市場価格30年株価配当、分割、措置ICEマーケットデータSECフォームS-1所有権10年トップ株主インサイダー取引SECフォーム4SECフォーム13Dマネジメント10年リーダーシップ・チーム取締役会SECフォーム10-KSECフォームDEF 14A主な進展10年会社からのお知らせSECフォーム8-K* 米国証券を対象とした例であり、非米国証券については、同等の規制書式および情報源を使用。特に断りのない限り、すべての財務データは1年ごとの期間に基づいていますが、四半期ごとに更新されます。これは、TTM（Trailing Twelve Month）またはLTM（Last Twelve Month）データとして知られています。詳細はこちら。分析モデルとスノーフレークこのレポートを生成するために使用した分析モデルの詳細は、当社の Github ページ でご覧いただけます。また、レポートの使い方に関する ガイド や YouTube の チュートリアル もご用意しています。シンプリー・ウォールストリート分析モデルを設計・構築した世界トップクラスのチームについてご紹介します。業界およびセクターの指標私たちの業界とセクションの指標は、Simply Wall Stによって6時間ごとに計算されます。アナリスト筋Spotify Technology S.A. 36 これらのアナリストのうち、弊社レポートのインプットとして使用した売上高または利益の予想を提出したのは、 。アナリストの投稿は一日中更新されます。65 アナリスト機関William Noel MilnerArete Research Services LLPRichard KramerArete Research Services LLPSamuel LourenszArete Research Services LLP62 その他のアナリストを表示
お知らせ • Jun 25Spotify Technology S.A. to Report Q2, 2026 Results on Aug 04, 2026Spotify Technology S.A. announced that they will report Q2, 2026 results Pre-Market on Aug 04, 2026
お知らせ • Jun 03Spotify Ltd Announces Appointment of Aditi Shorewal to Head of PR & CommunicationsSpotify Ltd. appointed Aditi Shorewal as its new head of PR & communications. Shorewal joined Spotify after a successful stint at Tinder, where she served as communications lead for India and later India and Korea. During her tenure, she led strategic communications, brand storytelling, and reputation-building initiatives across key markets, helping shape the brand's voice among digitally connected audiences. Her appointment brought more than a decade of experience spanning public relations, content marketing, social media strategy, media relations, and corporate communications. Over the years, she built an impressive portfolio across global technology, media, and consumer-facing brands. Before Tinder, Shorewal served as head of communications and content marketing at Eventbrite and previously held the role of lead, communications and social media marketing at Twitter. Her career also included leadership positions at 4media group UK, where she managed global media relations, as well as earlier roles with NDTV, Times Internet Limited, and The Times of India. Shorewal holds a master's degree in digital asset and media management from King's College London, where she received the India Masters Scholarship, and earned her bachelor's degree from Lady Shri Ram College For Women.
お知らせ • Mar 26Spotify Technology S.A. to Report Q1, 2026 Results on Apr 28, 2026Spotify Technology S.A. announced that they will report Q1, 2026 results Pre-Market on Apr 28, 2026
お知らせ • Mar 07Spotify Technology S.A., Annual General Meeting, Apr 15, 2026Spotify Technology S.A., Annual General Meeting, Apr 15, 2026, at 16:00 W. Europe Standard Time. Location: arendt house, 41a, avenue j.f. kennedy, l-2082 luxembourg, grand duchy of luxembourg., Luxembourg
お知らせ • Feb 11Spotify Technology S.A. Provides Earnings Guidance for the First Quarter of 2026Spotify Technology S.A. provided earnings guidance for the first quarter of 2026. For the quarter, the company expects total revenue of €4.5 billion,Assumes ~670 bps headwind to growth Y/Y (vs. ~580 bps in Q4) due to foreign exchange rate movements; based on currency rates as of Fourth Quarter close (e.g. USD: Euro of 0.8514 as of December 31st, 2025) and operating income of €660 million,Incorporates €10 million in Social Charges based on a Fourth Quarter close share price of $580.71.
お知らせ • Dec 26Spotify Technology S.A. to Report Q4, 2025 Results on Feb 10, 2026Spotify Technology S.A. announced that they will report Q4, 2025 results Pre-Market on Feb 10, 2026
お知らせ • Dec 11Spotify Technology S.A. Announces Election of Alex Norström and Gustav Söderström as Directors, Effective January 1, 2026Spotify Technology S.A. held an extraordinary general meeting of shareholders and holders of beneficiary certificates on December 10, 2025. The Company's shareholders and holders of beneficiary certificates considered the proposal for the election of directors. Based on the votes set forth in the proxy statement dated November 5, 2025, Alex Norström (B Director) and Gustav Söderström (B Director) were elected as members of the Board of Directors, effective January 1, 2026, for a term ending at the general meeting approving the annual accounts for the financial year ending on December 31, 2025.
お知らせ • Nov 20Spotify Appoints Tanmaya Trivedi as Director of SalesSpotify has appointed Tanmaya Trivedi as director of sales. He joins after spending more than ten years at Meta across category leadership roles spanning gaming, education, tech, auto, BFSI, travel, health, real estate and new business. Before Meta, Trivedi worked with Sony Pictures Networks India as assistant vice president, leading revenue and channel initiatives across SET, Sony MIX and the relaunch of SAB TV. His earlier experience includes roles at UTV during the launch of Hungama TV and sales responsibilities at Zee across news and entertainment channels. Trivedi has more than two decades of industry experience and has led teams across sales strategy, category development, cross functional planning and revenue operations.
お知らせ • Nov 05+ 1 more updateRBX, A Founding Father of West Coast Hip-Hop, Files A Class Action Lawsuit Against Spotify Concerning Alleged Streaming FraudBaron & Budd, P.C. alongside Irpino Avin & Hawkins, filed a class action lawsuit in federal court in Los Angeles on behalf of musician and hip-hop producer Eric Dwayne Collins, professionally known as RBX, against Spotify. The lawsuit asserts that, for years, the company failed to properly address streaming fraud on its platform. According to the lawsuit, "streaming fraud is carried out by deploying 'Bots,' which are automated software programs that run scripts to perform repetitive tasks on the internet at high speeds. In the context of streaming fraud, large numbers of Bots are programmed to repeatedly and continuously stream certain songs, thereby fraudulently inflating the total number of streams for that music." Among other things, the suit asserts that "billions of fraudulent streams have been generated with respect to songs of 'the most streamed artist of all time,' Aubrey Drake Graham, professionally known as Drake ("Drake")." The lawsuit explains that musicians, songwriters and others are paid. The lawsuit alleges that although streaming fraud is prohibited by Spotify and the company claims that it has policies and procedures in place to address streaming fraud, "Spotify has an incentive for turning a blind eye to the blatant streaming fraud occurring on its service." According to the lawsuit, "the more users (including fake users) Spotify has, the more advertisements it can sell, the more profits the company can report, all of which serves to increase the purported value delivered to shareholders." The lawsuit further alleges, "Spotify offers a free, ad-supported version of its streaming service, which does not require the use of a valid credit card to sign up. This creates the ideal conditions for fraudulent Bot Accounts to create fake Spotify accounts." In the lawsuit, Plaintiff Eric Dwayne Collins, who performs under the name RBX, seeks to represent a class of other artists in California and the United States who earn money from royalties on Spotify. "Not everyone who makes a living in the music business is a household name like Taylor Swift -- there are thousands of songwriters, performers, and producers who earn revenue from music streaming who you've never heard of. These people are the backbone of the music business and this case is about them," Mr. Pifko added. The complaint seeks monetary damages, injunctive relief and restitution from Spotify.